{"data":[{"id":301,"Title":"Un cinéfilo empedernido: Ritmos horizontales, océanos de salsa, espacios místicos","Content":[{"type":"heading","level":2,"children":[{"text":"Especificidad del cine","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Un día de los inocentes de 1895, en París, los hermanos Louis y Auguste Lumière realizaron la primera proyección pública del cine, tal como se conoce hoy. ","type":"text"}]},{"type":"paragraph","children":[{"text":"Estos inventores, cuyo apellido es “Luz”, se retiraron voluntariamente de toda actividad cinematográfica tres años después, por razones que ellos mismos admitirían: “","type":"text"},{"bold":true,"text":"nos declaramos incapaces de sostener una competencia","type":"text"},{"text":"”. ","type":"text"}]},{"type":"paragraph","children":[{"text":"En efecto, lo que ellos creyeron no pasaría de ser una curiosidad científica (fotografías proyectadas a una cierta velocidad para dar la ilusión del movimiento) se convirtió en tres años en una complicadísima forma de espectáculo y de industria. ","type":"text"}]},{"type":"paragraph","children":[{"text":"Cuatro meses después de la gran velada nocturna de los Lumière, Thomas Alva Edison (inventor del bombillo) patentó en Estados Unidos proyector y cámara tomavistas, y desde ese momento Estados Unidos se convirtió en el país de mayor y más influyente producción. ","type":"text"}]},{"type":"paragraph","children":[{"text":"Para los Lumière era una curiosidad. Para Georges Méliès, el segundo director más importante, en orden cronológico, en la historia del cine, era un arte; ambos se vieron obligados a retirarse (Méliès, más que retirarse, quebró) ante los empujes de la industria cinematográfica norteamericana. Las cosas no han cambiado mucho hasta el día de hoy. ","type":"text"}]},{"type":"paragraph","children":[{"text":"Estados Unidos se dedicó a mostrar aspectos cotidianos de la vida, incluyendo algunas veces una que otra farsa moral de carácter edificante. No sería sino después de la Revolución Bolchevique de 1917, que se encontró en el cine un potencial de comentario dirigido: ya no se trataba de mostrar la realidad sino de transmitir ideas, contando, de antemano, con grandes posibilidades de aceptación en el espectador. ","type":"text"}]},{"type":"paragraph","children":[{"text":"Es decir, se logró la seguridad de que si se pegaban seis planos de tres formas diferentes se lograrían tres ideas o emociones diferentes en el espectador, y que con toda seguridad este las transmitiría a sus allegados, parientes y amigos. El cine se convirtió en una forma de agitación política de probada eficacia, al servicio del partido.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Estas circunstancias básicas no han cambiado hasta el día de hoy. ","type":"text"}]},{"type":"paragraph","children":[{"text":"Pues si el control del partido sobre el contenido (es decir, la forma) de los films soviéticos, debido a una estricta militarización en la cultura, han convertido al cine soviético en la lamentable expresión artística que es hoy, el espíritu, formas de puesta en escena y de montaje de la Rusia de la época, ha pasado a ser expresión de los países del tercer mundo que más sufren la dominación económica y cultural del imperialismo.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"De más está, pues, aseverar que, por el doble carácter de arte y de industria altamente rentable que tiene el cine, está ligado a una serie de aconteceres de orden político, y que tiene que ver, en su funcionamiento, con las organizaciones políticas propiamente dichas. ","type":"text"}]},{"type":"paragraph","children":[{"text":"Esta politización de la industria, por así decirlo, se ha agudizado en los últimos años, cuando la decadencia del sistema capitalista ha obligado a investir a su producto medio industrial, de toda una ideología dirigida, es decir, apartándose cada vez más del “humanismo” e “imparcialidad” de que se jactaban hacia los años cuarenta.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Lo que comenzó siendo la distracción ideal para los analfabetos, es hoy el arte de los analfabetos.","type":"text"}]},{"type":"paragraph","children":[{"text":"Un cine como el mexicano, especialmente preocupado en fomentar la cultura de la ignorancia, se vería duramente perjudicado en el caso de que el sesenta por ciento de su público aprendiera a leer y escribir. Tendría que darle una vuelta de campana a su estética toda, o desaparecer. ","type":"text"}]},{"type":"paragraph","children":[{"text":"Sabemos que no tiene intenciones de lo uno ni de lo otro, así que su mayor interés es, de hecho, que el pueblo que es su público no aprenda a leer.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Pero es también el arte de los intelectuales. Discernir o explicar el mensaje de una película es tenido, entre los círculos intelectuales burgueses, como señal de “inteligencia al día” y refinamiento.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Porque desde 1915, cuando el cine dejó de ser un subalterno del teatro y la literatura, para, utilizándolos, y utilizando la danza y la pintura y la escultura, formar un lenguaje propio, independiente, con su propio código gramático, ha ido ganándose cada vez más sectores cultos de la sociedad, ha apartado gente de las salas de teatro, ha dado pie a numerosos escritos críticos, explicativos, etc.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Pero ante el fenómeno de la proyección, el analfabeto y el intelectual cuentan con los mismos instrumentos de aprehensión: la vista y el oído. Es probable que un individuo de ciudad no tenga nunca contacto con el libro; es improbable que no lo tenga con el cine.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Es la diversión más barata, la de más concurrencia, todo el mundo va al cine, todo el mundo está, pues, en posición de ser influenciado; su conducta, llegado el momento de recibir ciertos estímulos, puede ser modificada. ","type":"text"}]},{"type":"paragraph","children":[{"text":"Tocaría, entonces, preguntarse ¿hasta qué punto el público es consciente de esto: de que sobre él se está operando, cada vez que va al cine, una transmisión de una moral y una ideología dada? Si una persona de cultura media lee un libro cada semana durante un año entero, es muy probable que al término del año su conocimiento sea mayor, que tenga nuevos y mejores puntos de referencia para actuar ante la vida. ","type":"text"}]},{"type":"paragraph","children":[{"text":"Del otro lado, si una persona de cultura media va al cine todos los días de un año, es muy probable que: 1) sepa menos del cine que cuando empezó a verlo, 2) su comportamiento ante la vida haya quedado bastante desfigurado, que tales sesiones de orden cultural le hayan causado ciertos traumas y neurosis de los que no fue consciente en el proceso de transmisión y que ahora le será muy difícil controlar y evitar que sigan aumentando, casi que en progresión geométrica.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Entre los miles de espectadores que conforman la siempre constante afluencia a las salas cinematográficas, podemos distinguir algunos:","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"1) El espectador medio, pequeño burgués, que va unas dos veces por semana al cine, después del trabajo, y siempre acompañado.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"2) El espectador intelectual, de formación universitaria, que reconoce en el cine una poderosa forma de expresión y penetración ideológica, y que prefiere, llegado el momento de escoger, films de directores de calidad reconocida: Fellini, Buñuel, Pasolini, Bergman, y películas italianas de izquierda.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"3) El lumpen, que cubre íntegra la programación de cada día de las salas de barrio o sectores en donde cunde la delincuencia. Se refugia en el cine para huirle al trabajo. Entra a las dos de la tarde, se repite el programa dos veces, duerme, y sale ya de noche, a dormir. ","type":"text"}]},{"type":"paragraph","children":[{"bold":true,"text":"¿Por qué, entonces esta desventaja, esta falta de control, esta supremacía del objeto cultural sobre el hombre que lo recibe?","type":"text"},{"text":" De todas las expresiones artísticas el cine es la que menos esfuerzo de abstracción demanda para su aprehensión. ","type":"text"}]},{"type":"paragraph","children":[{"bold":true,"text":"“El mecanismo productor de imágenes cinematográficas, por su manera de funcionar, es, entre todos los medios de expresión humana, el que más se parece al de la mente del hombre, o mejor aún, el que mejor imita el funcionamiento de la mente en estado de sueño... La noche paulatina que invade la sala equivale a cerrar los ojos: entonces comienza en la pantalla, y en el hombre, la incursión por la noche de la inconsciencia”  - ","type":"text"},{"text":"Luis Buñuel, Conferencia de la Universidad de México, 1958.)","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":" Pero, curiosamente, es por el realismo que se imita la comodidad y fascinación del sueño. El espectador sufre con los personajes, sigue sus intereses, comparte sus infortunios. ","type":"text"}]},{"type":"paragraph","children":[{"text":"En teatro, cuando un personaje es asesinado, el espectador tiene que hacer una abstracción más o menos complicada: no ha habido muerte real, es el actor que representa la muerte. ","type":"text"}]},{"type":"paragraph","children":[{"text":"En cine, personaje y actor están muertos, y sería cuestión digna de averiguar por cuál de los dos sentimos mayor pena. ","type":"text"}]},{"type":"paragraph","children":[{"text":"Encerrado de la realidad en la cómoda oscuridad y temperatura de la sala de cine, el espectador contempla esa ventana de la realidad que es la pantalla. No hay que proponerse un método de abstracción. ","type":"text"}]},{"type":"paragraph","children":[{"text":"El espectáculo, de por sí, abstrae al espectador. No hay interrupción posible que nos haga quitar los ojos de la pantalla, y no tenemos derecho a hablar durante la proyección. Tenemos que ver callados y salir impresionados. ","type":"text"},{"bold":true,"text":"“Comer callados”","type":"text"},{"text":", llamaría alguien a este fenómeno. La única manera de distraerse de la proyección sería cerrar los ojos.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Es por esto que creemos que el cine, de todas la artes, es la que más dificultades pone para adoptar ante ella un mecanismo de distanciamiento, y por lo tanto, de reconocimiento, por separado, de cada uno de los elementos que conforman la obra terminada, y por lo tanto también, de lectura cuidadosa.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Es también la que más dificultad y variedad de trabajos ofrece durante su elaboración. Entre la idea y la realización de la obra literaria, está de por medio una situación feliz, un esfuerzo de voluntad, que es cuando el escritor, pluma en mano, se decide a escribir, siendo también este momento privilegiado, uno de los más misteriosos de la ocupación literaria. Entre la idea y la realización de la obra cinematográfica media un trabajo de construcción del guión (para el cual se precisan conocimientos de montaje, y por ende, específicamente técnicos del cine), acercamiento y acuerdo con un grupo de personas, actores, entrevistados y técnicos, utilización de un cierto número de maquinaria, las más de las veces complicada, y sobre todo, consecución de una cantidad de dinero más que considerable. ","type":"text"}]},{"type":"paragraph","children":[{"text":"Los aspectos de distribución de la obra terminada son semejantes a los de la literatura, en cuanto tiene que haber un mecanismo central de distribución o impresión.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Como bien apuntan los compañeros del CIDAB en su ponencia, ","type":"text"},{"bold":true,"text":"poco importa una idea genial","type":"text"},{"text":", o poco certifica una idea genial la calidad en sí de la obra de arte. Con todo, sería útil discutir si en novelas como La invención de Morel de Bioy y Otra vuelta de tuerca de James encontraron (los autores) cosas nuevas durante su desarrollo, o si en realidad la genialidad de las obras no estaba ya implícita en la escogencia del tema, y si el desarrollo completo de las obras no se encontraba ya en la mente de los autores antes de decidirse a sentarse y ponerlas en el papel.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Citar estas dos novelas es citar también un conocido prólogo de Borges, pero sirven aquí en la medida de las extraordinarias posibilidades que ambos textos ofrecen para una adaptación cinematográfica.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Entre la idea y la obra terminada, en el cine, se da un proceso largo y complicado. ","type":"text"}]},{"type":"paragraph","children":[{"text":"Filmación, con sonido directo o si no, después de filmación, doblaje: mezcla de las tres pistas de sonido, ruidos, diálogos, música. Montaje del film. La idea original, como lo dice un director de cine español radicado en Colombia, puede verse desvirtuada en el proceso, unas veces, incluso, para bien de la obra, libre de lo que su autor piense de ella.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Un film se escribe en la pantalla, y en dos dimensiones. Es por eso que a la unidad cinematográfica se le ha llamado plano, que puede equivaler a la palabra, y a la frase e incluso (plano-secuencia), al capítulo. ","type":"text"}]},{"type":"paragraph","children":[{"text":"El espectador cineasta, interesado en el cine en cuanto a estructura, empieza a ejercitar la lectura del empalme y dirección de las imágenes. Sabe que un teleobjetivo elimina la perspectiva y que por eso, agrupa bonito a los elementos dentro de cuadro, y que es, entonces, la escritura ideal para mostrar a la pareja de enamorados, tomados de la mano, por la playa, o la pareja de enamorados que no se ven hace veinte años y corren a abrazarse, corren y corren y parece como si nunca avanzaran; y aprende también que si no es, por ejemplo, Visconti, el que usa el teleobjetivo (y su contraparte, el zoom), con su peculiar manera de penetrar, por medio de él una realidad o sufrimiento de una persona, se convierte, en su uso sistemático, en una mala escritura. ","type":"text"}]},{"type":"paragraph","children":[{"text":"Sabe que el lente corto dará mucha perspectiva o profundidad de campo, y que significa que los dos sujetos dentro de cuadro, pero muy separados entre sí, pasan por un momento de agitación que los relaciona (ya que ambos están en foco). ","type":"text"}]},{"type":"paragraph","children":[{"text":"Es que en cine, las diferentes distancias de los planos, su escogencia, valen lo que el sustantivo y el adjetivo. El uso de la cámara lenta le dará “poesía” al conjunto. El uso del acelerado, una nota “burlesca”. Si la cámara se acerca mucho al rostro de un actor, nos indica que ese actor está pensando algo importante, o que se apresta a contar una historia, y dado este caso, al primer plano del actor le seguirá una disolvencia y un flash-back. La disolvencia también le concede a la imagen un tono de poesía en el paso del tiempo, y el fundido a negro indica cierre de capítulo y elipsis temporal. ","type":"text"}]},{"type":"paragraph","children":[{"text":"El espectador cineasta tratará, entonces, de prever los conjuntos de escrituras, la puntuación de la siguiente frase, para lo cual empieza a imaginarse el espacio que se está dando fuera de cuadro, en el momento de la filmación. Aprende, entonces, a mirar no solamente el objeto filmado sino lo invisible: la cámara. ","type":"text"}]},{"type":"paragraph","children":[{"text":"De allí, a que hay cámaras más invisibles que otras, a que Eisenstein no movía su cámara pero formaba una colisión en cada corte, a que Hitchcock une las tendencias, aparentemente divergentes, del montaje de Eisenstein y los fluidos e inmensos movimientos de cámara de Ophüls y Murnau.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"El espectador intelectual pequeño-burgués, la más de las veces, intenta es descifrar o interpretar un mensaje de la película de Bergman, sin darse cuenta que al interpretar un film lo que hace es desarmarlo en aras de asemejarlo con su realidad, de por sí pobre y colonizada y penetrada.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"El espectador de formación marxista juzga los films en cuanto coincidan con la teoría que él tiene de la realidad. Si el film coincide con ella, es progresista, y por lo tanto, bueno.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"El espectador de extracción proletaria y de formación lumpesca, aquel que acude diariamente a las salas ubicadas en sectores de criminalidad, juzga las películas según coincidan con la práctica de su realidad, que es cruel y peligrosa. De allí el saboteo y la rechifla a películas fantásticas, etc.","type":"text"}]},{"type":"paragraph","children":[{"text":" ","type":"text"}]},{"type":"paragraph","children":[{"text":"El hombre de letras acude al cine, las más veces, para ampliar su cultura general. Juzga las películas según la importancia de “los temas”. Muchas veces se decide a escribir crítica de cine, alabando o condenando los resultados de la obra, nunca ocupándose de los diferentes posibles modos que se presentaban ante el director, y el porqué de la escogencia de solo uno de ellos, el correcto.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Mientras que el espectador cineasta intenta atrapar, en esa forma definitiva y autónoma que es el film durante la proyección, el momento de puesta en escena, que es también concepto, y el definitivo para el acercamiento crítico a cualquier film; puesta en escena es la relación creada por el director entre los movimientos de la cámara y de los actores, durante el rodaje. La fase del montaje es la organización y dirección final de esa puesta en escena.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Sucede entonces que este espectador cineasta intenta conversar con otros espectadores, de los anotados más arriba, sobre un film querido. Para su consternación, encuentra, de los sectores más cultos a los más ignorantes, opiniones que las más de las veces no corresponden a conceptos sino a gustos, o conceptos elaborados con base en una única visión separada del film, sin que la persona tenga información de la relación de ese film con otros del mismo director, por ejemplo. ","type":"text"}]},{"type":"paragraph","children":[{"text":"Sucede, entonces, que ante una discusión cinematográfica, nuestro cineasta opta por el silencio, luego por la lejanía, después por algo más grave que es la soledad. Se va convirtiendo en lo que llaman un cinéfilo. Ya no entiende a las personas, ya no necesita enamorarse de mujeres reales: para qué, si en la pantalla las tiene mejores y más inteligentes; se aparta de las actividades colectivas; va todos los días a cine; repite películas; empalidece; llega a extremos tales como autoconvencerse de que sólo respira bien en la soledad del cine, y que afuera lo persiguen; busca, instintivamente, el sitio de la sala que corresponde al lado del cual sueña; se va volviendo huraño y tosco y torpe; tartamudea; no le hace caso sino a su propio juicio. Si las circunstancias no le son del todo adversas, puede que encuentre a otro sujeto tan enfermo como él, y en ese caso empieza un deambular de ojeras y de soledad compartidas, lo que significa al menos un progreso.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"bold":true,"text":"Para evitar este malestar, se da, entonces la necesidad de una organización política:","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"bold":true,"text":"a) En la producción. ","type":"text"},{"text":"Posibilidad de que el partido encargue o apoye un proyecto de filmación. Caso sin precedentes en Colombia. Plena y riquísima realidad en Cuba. Casos esporádicos en Bolivia (los primeros films de Sanjinés) y en Argentina (La hora de los hornos).","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"bold":true,"text":"b) La distribución y exhibición. ","type":"text"},{"text":"El grupo de cineastas acuerda, con la organización, sectores claves de la población para la proyección de películas didácticas y políticas. Una o dos proyecciones no significan nada. Es ideal un trabajo previo, antropológico de la comunidad, y un contacto posterior, permanente, con ella.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"bold":true,"text":"c) En la crítica.","type":"text"},{"text":" La necesidad de que el dirigente y orientador político se informe cinematográficamente. Muchas veces, la estructuración marxista de un espectador no lo hace capaz de descubrir un film reaccionario, falsamente disfrazado, cuando la simple información de las obras anteriores del director suplirían todo un conocimiento. Desde este punto de vista, el dirigente político debe ser muy cuidadoso de los films que recomienda, no vaya a ser que esté alabando una película de buenos (comunistas) y malos (reaccionarios), distribuida por uno de los grandes trusts norteamericanos. Sabido es que todas las películas “políticas” italianas obedecen a una creciente demanda del público medio, de participar y estar informados del clima de actividad y agitación política que se vive desde la Revolución Cubana y la decadencia del imperialismo, y que como tal, se ha conformado en un género específico, que les está rindiendo pingües ganancias a los mismos norteamericanos: la Paramount (Gulf + Western) y la Warner Bros (A Kinney Company).","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"El cine no ha cumplido aún los ochenta años, y no es demasiado aventurado afirmar que ha puesto a funcionar el mundo según su ritmo, que las culturas y subculturas cada vez son más escasas provenientes de la literatura que del cine. ","type":"text"}]},{"type":"paragraph","children":[{"text":"Que por su misma juventud ofrece una de las más fascinantes posibilidades que se le pueden ofrecer a hombre alguno: la posibilidad de saberlo todo al respecto. ","type":"text"}]},{"type":"paragraph","children":[{"text":"Descontemos la posibilidad, imposible e inútil de observar todo el cine realizado hasta la fecha. Los cálculos han demostrado que solo un dos por ciento de la producción mundial vale la pena verse. Lo que valga la pena, y no se pueda, se puede leer. ","type":"text"}]},{"type":"paragraph","children":[{"bold":true,"text":"Sería empresa que rebasa la vida de un hombre leerse todos los libros dignos publicados hasta la fecha. 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","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"A good book we enjoy on the subject is ","type":"text"},{"bold":true,"text":"Smarter Than You Think: How Technology Is Changing Our Minds for the Better ","type":"text"},{"text":" by Clive Thompson ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"We use GenAI en la tienda to proofread copy, generate boilerplate HTML, and some other non essential tasks that seem helpful in their professional workflow. ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Tools, not magic ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Aunque vivimos en el realismo mágico, magic itself is just a powerful tool.  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","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"We prompt as little as possible ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"We prefer to read human responses","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"We prefer to click on people's websites ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"We question outputs ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"We discourage joining cults where the computer is seen as a deity ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Strategias ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Humans build our roadmaps. 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","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Being too reliant on mediocre output is fine for uninteresting jobs where you're just trying to get the day over with. But leaders need their own drive, joy, pain, to power a successful team. Faking it only goes so far, and criminal enterprise lawyers are very expensive. ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Amor y respeto ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Artists create communities and collectives because we enjoy the process and the people we get to do it with. We're trying to answer each other and nobody else. ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"When you buy from our store, and wear our designs, remember that we created it all with a little help from our friends. See you in pepperland. ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Con cafecito  ⚡🖤","type":"text"}]},{"type":"paragraph","children":[{"text":" ","type":"text"}]},{"type":"paragraph","children":[{"text":" -  Las locas ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]}],"createdAt":"2025-07-06T00:33:32.911Z","updatedAt":"2025-07-06T01:56:40.472Z","publishedAt":"2025-07-06T01:56:40.564Z","documentId":"ef1i7075jw0llrhaesfw9pne","slug":"human-assisted-ai"},{"id":435,"Title":"Discord Community ","Content":[{"type":"paragraph","children":[{"text":"\nHello Merchant! 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","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"While fundraising is taking longer the same principles apply, review your fundamental business metrics, storytelling and approach investors as humans interested in collaborating. A successful company starts with happy employees and clear agreements from the start.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Fun NYC summer ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"quote","children":[{"text":"Si te quieres divertir, solo tienes que vivir, un verano en Nueva York ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Don't skip the happy hours and social opportunities. 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 our team can help set up your store, create some content, and get you started","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"💡 We’re prioritizing early creators in our community, so if you have a project or idea, let’s make it happen","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"bold":true,"text":"🔧 Calling  devs & agencies!","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"We know every community and business has different needs","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"If you’re a developer, agency, or team looking for a flexible, open-source e-commerce stack, Markkëtplace is for you:","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"🚀 A robust hosted instance to help people launch fast","type":"text"}]},{"type":"paragraph","children":[{"text":"🛠️ Detailed instructions for communities and teams that want to self-host","type":"text"}]},{"type":"paragraph","children":[{"text":"💡 More integrations and customization options for devs and agencies","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"We love Strapi, Astro, Next.js, and all the tools we use to keep performance and SEO on point","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"We’re trying to stay up to date so you get the best experience possible","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"bold":true,"text":"👀 What’s coming next?","type":"text"}]},{"type":"paragraph","children":[{"text":"🔹 More templates, tools, and features for creators","type":"text"}]},{"type":"paragraph","children":[{"text":"🔹 Better customization and agency-friendly workflows","type":"text"}]},{"type":"paragraph","children":[{"text":"🔹 Improved performance and self-hosting support","type":"text"}]},{"type":"paragraph","children":[{"text":"🔹 More real commerce, built with trust, fun, and open standards","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"🔥 Let’s build the shared future of e-commerce! ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Sign up to our","type":"text"},{"url":"https://markket.place/newsletter","type":"link","children":[{"text":" [/newsletter] ","type":"text"}]},{"text":"for updates","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"},{"url":"https://www.markket.place/blog/2024-markkxt-manifesto","type":"link","children":[{"text":"[/manifesto]","type":"text"}]},{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"},{"url":"https://www.producthunt.com/posts/markket-place?utm_source=other&utm_medium=social","type":"link","children":[{"text":"[/upvote 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","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Use this example:  ","type":"text"},{"url":"https://dev.markket.place/?summit","type":"link","children":[{"text":"[dev.markket.place/?summit] ","type":"text"}]},{"text":" ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"where `dev` is the store_slug, and `home` is the page_slug, ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"The link is available in your dashboard ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":5,"children":[{"text":"Deploy to your domain ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"You can deploy a landing page for your store, with your own domain and additional customization by 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Martha has a Bachelor’s and a Master’s from the Illinois Institute of Technology in Applied Mathematics and is pursuing her Ph.D. in Industrial Engineering at the University of Illinois at Chicago with a focus on data and process mining.","type":"text"}]},{"type":"paragraph","children":[{"text":" ","type":"text"}]},{"type":"paragraph","children":[{"text":"Martha is a business and numbers expert. She has used her master’s degree in applied mathematics, along with ten years of business experience, to build a national, multi-million-dollar company. 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Pero en la tradición mística judía, igual que todo, es un proceso que requiere intencionalidad y esfuerzo","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Entender tu alma para amar el alma de otros","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Un proceso de entendimiento interno, para definir los objetivos y las herramientas para lograr resultados sostenibles","type":"text"}]},{"type":"paragraph","children":[{"text":"Comenzamos desde nuestro corazón, entendiendo nuestras imperfecciones","type":"text"}]},{"type":"paragraph","children":[{"text":"Ademas entendiendo que todo es amor, y apreciando cada relación interpersonal como una oportunidad divina para aprender sobre nosotros mismos","type":"text"}]},{"type":"paragraph","children":[{"text":"Así como has desarrollado proyección instintivamente, debes desarrollar conexión con intencionalidad","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":2,"children":[{"text":"Las Diez Sefirot como mapa de relación","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"En Kabbalah, las sefirot son canales de energía espiritual que a veces son entendidos como canales de conexión con lo sagrado","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Con un poco de experiencia y agrupando lecciones de diferentes filosofías podemos proponer una clasificación que nos ayude a entender el nivel donde se encuentran nuestras relaciones actuales y ayudarnos a alcanzar los otros niveles","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Maljut","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Nivel material y presencia física","type":"text"}]},{"type":"paragraph","children":[{"text":"En los niveles del alma y sefirot, el nivel más bajo es el del mundo físico explicito. Lo que siente nuestro ego al procesar los estímulos corporales. Es el nivel de conexión que casi todos experimentan: estar juntos, compartir espacio, comer juntos, existir cerca al otro","type":"text"}]},{"type":"paragraph","children":[{"bold":true,"text":"“me gustas porque estás aquí”","type":"text"}]},{"type":"paragraph","children":[{"text":"Que sea el nivel inferior no se debe nunca creer que no es valioso, todo lo contrario, es esencial. Como al construir una torre de apartamentos, los cimientos deben estar muy bien considerados y construidos con disciplina en cada nivel","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Yesod","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Conexión emocional","type":"text"}]},{"type":"paragraph","children":[{"text":"Tras un tiempo de compartir espacio personal, las relaciones usualmente evolucionan hacia conexiones más espirituales, psíquicas; donde ambos desean lo mejor para el otro","type":"text"}]},{"type":"paragraph","children":[{"text":"Su distancia te afecta. Tienen la posibilidad de avanzar juntos a niveles adicionales, aunque la mayoría de las parejas dudan siquiera alcanzar este; se convierte en un lugar comfortable que lleva a la monotonía","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Hod","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Conexión intelectual","type":"text"}]},{"type":"paragraph","children":[{"text":"Aquí aparecen la risa, leer libros juntos, asistir a conferencias, complicidad mental","type":"text"}]},{"type":"paragraph","children":[{"text":"Se siente un amor que crece cuando ambos se entienden, se hacen reír y estimulan mentalmente","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Netzach","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Construir cosas juntos","type":"text"}]},{"type":"paragraph","children":[{"text":"En este nivel el amor empieza a producir acciones que benefician a otros; trasciende de sus cuerpos y sus mentes al mundo exterior","type":"text"}]},{"type":"paragraph","children":[{"text":"Se crea al planear y desarrollar proyectos juntos; arte, negocio, eventos, cenas con invitados","type":"text"}]},{"type":"paragraph","children":[{"bold":true,"text":"“hagamos algo juntos”","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Tiferet","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Balance emocional y belleza en la relación","type":"text"}]},{"type":"paragraph","children":[{"text":"Tiferet es conocida como armonía, el nivel más allá de la pasión y la amistad","type":"text"}]},{"type":"paragraph","children":[{"text":"Es algo que las parejas sienten cuando sus vidas se van integrando y volviendo inseparables","type":"text"}]},{"type":"paragraph","children":[{"text":"Se perciben como son realmente y ven solo belleza en si mismos y el mundo alrededor","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Geburah","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Límites, disciplina, respeto","type":"text"}]},{"type":"paragraph","children":[{"text":"Para crear amor de verdad que dure un largo tiempo es muy importante pensar también en los limites. Limites personales individuales y de pareja.","type":"text"}]},{"type":"paragraph","children":[{"text":"Es un ejercicio que requiere estar cómodo al decir no, expresar las necesidades y miedos y sentirse escuchado","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Jesed","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Generosidad","type":"text"}]},{"type":"paragraph","children":[{"text":"Ser generoso es universalmente valorado, las parejas que donan y son voluntarias juntas crean lazos eternos. Sin embargo también hay una trampa, es posible usar la excusa de ayudar a otros para ignorarse a uno mismo","type":"text"}]},{"type":"paragraph","children":[{"text":"El amor verdadero da desde una copa rebosando, donde la abundancia añade más rápido de lo que puedes regalarlo. Es importante haber cruzado por los niveles anteriores antes de regalarse a los demás ciegamente","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Binah","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Entendimiento profundo","type":"text"}]},{"type":"paragraph","children":[{"text":"En este nivel más avanzando nos referimos al entendimiento proactivo, donde los miembros de la relación actúan casi que de manera intuitiva En kabalah entendemos este nivel espiritual como la alineación con la voz del universo","type":"text"}]},{"type":"paragraph","children":[{"text":"Al llegar a este nivel se siente una confianza y tranquilidad constante, y se emana una paz que es evidente a todos alrededor","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Jojma","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Intuición del alma del otro","type":"text"}]},{"type":"paragraph","children":[{"text":"Alcanzar este nivel es como un arte marcial, la practica de caer y bajar a través de los niveles va dejando memorias, heridas, y sonrisas que se transmutan en sabiduría","type":"text"}]},{"type":"paragraph","children":[{"text":"Algunas relaciones saltan muy rápidamente de nivel, pero la sabiduría trascendental es cuestión de tiempo y ofrece pocos atajos","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Keter","type":"text"}]},{"type":"heading","level":3,"children":[{"text":"Amor trascendental","type":"text"}]},{"type":"paragraph","children":[{"text":"Tras muchas interacciones intencionales para ayudar a otros el amor toma vida propia. Hay parejas que son recordadas por siglos gracias a su generosidad o impacto","type":"text"}]},{"type":"paragraph","children":[{"text":"Es un amor que va más allá del tiempo y el espacio y tiene el poder de cambiar el mundo","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":2,"children":[{"text":"Los niveles del alma","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"En kabala entendemos al alma como una cebolla, con capas:","type":"text"}]},{"type":"list","format":"unordered","children":[{"type":"list-item","children":[{"bold":true,"text":"Nefesh","type":"text"},{"text":" → cuerpo, rutina, vida diaria","type":"text"}]},{"type":"list-item","children":[{"bold":true,"text":"Ruaj","type":"text"},{"text":" → emoción, humor, energía","type":"text"}]},{"type":"list-item","children":[{"bold":true,"text":"Neshamah","type":"text"},{"text":" → mente, ideas, comprensión profunda","type":"text"}]},{"type":"list-item","children":[{"bold":true,"text":"Jayah","type":"text"},{"text":" → intuición, conexión espiritual","type":"text"}]},{"type":"list-item","children":[{"bold":true,"text":"Yejidah","type":"text"},{"text":" → unidad, amor trascendental","type":"text"}]}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"quote","children":[{"text":"No se puede llegar a Yechidah sin conocer a Nefesh","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":2,"children":[{"text":"Los niveles del amor","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"En resumen podemos decir:","type":"text"}]},{"type":"list","format":"ordered","children":[{"type":"list-item","children":[{"text":"Amor material → “","type":"text"},{"bold":true,"text":"estamos juntos","type":"text"},{"text":"”","type":"text"}]},{"type":"list-item","children":[{"text":"Amor emocional → “","type":"text"},{"bold":true,"text":"nos sentimos","type":"text"},{"text":"”","type":"text"}]},{"type":"list-item","children":[{"text":"Amor intelectual → “","type":"text"},{"bold":true,"text":"nos entendemos","type":"text"},{"text":"”","type":"text"}]},{"type":"list-item","children":[{"text":"Amor divertido → “","type":"text"},{"bold":true,"text":"nos disfrutamos","type":"text"},{"text":"”","type":"text"}]},{"type":"list-item","children":[{"text":"Amor creativo → “","type":"text"},{"bold":true,"text":"construimos juntos","type":"text"},{"text":"”","type":"text"}]},{"type":"list-item","children":[{"text":"Amor de servicio → “","type":"text"},{"bold":true,"text":"nos ayudamos activamente","type":"text"},{"text":"”","type":"text"}]},{"type":"list-item","children":[{"text":"Amor comunitario → “","type":"text"},{"bold":true,"text":"servimos algo más grande juntos","type":"text"},{"text":"”","type":"text"}]},{"type":"list-item","children":[{"text":"Amor consciente → “","type":"text"},{"bold":true,"text":"nos vemos realmente","type":"text"},{"text":"”","type":"text"}]},{"type":"list-item","children":[{"text":"Amor intuitivo → “","type":"text"},{"bold":true,"text":"nos sentimos sin hablar","type":"text"},{"text":"”","type":"text"}]},{"type":"list-item","children":[{"text":"Amor trascendental → “","type":"text"},{"bold":true,"text":"somos parte de algo mayor","type":"text"},{"text":"”","type":"text"}]}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":2,"children":[{"text":"Misterios del alma gemela","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Muchas veces encontramos dificultades encontrando un alma gemela porque no nos conocemos a nosotros mismos. Aquellos en niveles espirituales avanzados entienden que todas las almas somos gemelas porque compartimos una sola raíz","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Por la forma romantizada que es descrita, es fácil confundirla con:","type":"text"}]},{"type":"list","format":"unordered","children":[{"type":"list-item","children":[{"text":"proyección emocional","type":"text"}]},{"type":"list-item","children":[{"text":"química sin estructura","type":"text"}]},{"type":"list-item","children":[{"text":"espiritualidad sin realidad","type":"text"}]},{"type":"list-item","children":[{"text":"o deseo sin límites","type":"text"}]}]},{"type":"paragraph","children":[{"text":"El amor real empieza desde lo cotidiano y crece desde ahí, paso a paso que toman juntos; en cada pelea y como la resuelven, en cada celebración y nueva idea que imaginan juntos","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":2,"children":[{"text":"Relaciones sagradas","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Una relación sagrada no se determina por su intensidad si no por su continuidad","type":"text"}]},{"type":"paragraph","children":[{"text":"Busca ","type":"text"},{"bold":true,"text":"estabilidad emocional","type":"text"},{"text":" a través de:","type":"text"}]},{"type":"list","format":"unordered","children":[{"type":"list-item","children":[{"text":"ser amigos primero","type":"text"}]},{"type":"list-item","children":[{"text":"colaborar en proyectos juntos","type":"text"}]},{"type":"list-item","children":[{"text":"construir manualidades","type":"text"}]},{"type":"list-item","children":[{"text":"regalar a otros","type":"text"}]}]},{"type":"paragraph","children":[{"text":"La pasión es una explosión, el amor es mucho más que eso","type":"text"}]},{"type":"paragraph","children":[{"text":"Pasión desmedida puede demoler un edificio, el amor lo construye","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":2,"children":[{"text":"Conclusión","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"La kabalah no es magia, es cotidianidad","type":"text"}]},{"type":"quote","children":[{"text":"El amor es un sistema que se construye desde lo físico hacia lo espiritual","type":"text"}]},{"type":"paragraph","children":[{"text":"Tu alma gemela no llena un vacío, tu mismo te completas y ella te complementa","type":"text"}]},{"type":"paragraph","children":[{"text":"Tu alma gemela puede pelar todas las capas de la cebolla que es tu alma y aguantar las lagrimas","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]}],"createdAt":"2026-05-29T00:57:32.342Z","updatedAt":"2026-05-29T01:10:35.694Z","publishedAt":"2026-05-29T01:10:35.811Z","documentId":"tk0nl9upgsb5dwvjpq1zn4a8","slug":"el-mapa-del-amor-trascendental"},{"id":547,"Title":"hola soy colombiano","Content":[],"createdAt":"2025-07-04T00:37:51.811Z","updatedAt":"2025-07-04T00:37:51.811Z","publishedAt":"2025-07-04T00:37:51.854Z","documentId":"s8raeugatjvi27f9s98fchw6","slug":"hola-soy-colombiano"},{"id":933,"Title":"Star City - S1E02 \"A Bear on a Chain\" - May 29 2026","Content":[{"type":"paragraph","children":[{"bold":true,"text":"Airdate:","type":"text"},{"text":" Streaming May 28th at 9 PM EST","type":"text"}]},{"type":"paragraph","children":[{"bold":true,"text":"Synopsis:","type":"text"},{"text":" Anastasia is thrust onto the world stage. 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","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"bold":true,"text":"Clinical Protocols","type":"text"},{"text":": Establishing clear clinical protocols.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"bold":true,"text":"Ambassador Program","type":"text"},{"text":":  to promote and support our platform.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"heading","level":2,"children":[{"text":"Participate","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Stay connected to learn more, we're expecting to continue sharing exciting news as our new brand develops. ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"The Kogi believe that we are on this earth to care for it, not exploit it or have dominion over it. Let's do our part to evolve from current patterns of insatiable consuming and possessing to a simpler life of peace, responsibility, reciprocity and complementarity. ","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]}],"createdAt":"2025-06-09T07:07:12.387Z","updatedAt":"2025-06-09T07:16:35.607Z","publishedAt":"2025-06-09T07:16:35.757Z","documentId":"lpvnbr57tmvf0j1dbd66mkkt","slug":"2025-q3-update"}],"meta":{"pagination":{"page":1,"pageSize":25,"pageCount":11,"total":270}}}